The Second Song

2024, Riyadh, Saudi Arabia, Granite, 250 × 110 × 540 cm

The Time I Left Behind

2023, Florina, Greece, Marble, 150 × 150 × 261 cm

Uncle Tom’s House

2022, Patras, Greece, Marble, 197 × 133 × 202 cm

Towards Divinity

2023, Ambaji, India, Marble, 140 × 260 × 500 cm

Where the Rivers Meet

2020, Uttarayan Art Found, Vadodara, India, 125 x 125 x 245 cm

Life out of Order

2021, Serres, Greece, Marble, 210 × 105 × 190 cm

Propyleon

2019, BenQ Foundation, Taiwan, Marble, 160 × 190 × 245 cm

Seeking Zarathustra

2016, Saint John, NB, Canada, Granite, 130 × 110 × 290 cm

Passage

2015, Halifax, Canada, Granite, 40 × 120 × 330 cm

Phaos

2024, Morfovouni, Greece, Marble, 140 × 120 × 220 cm

A Temple for Artemis

2024, Gongju, South Korea, Bricks, 350 × 410 × 250 cm

In these outdoor works, form becomes a quiet act of meditation — a meeting of matter, geometry, and light within the landscape. Each sculpture appears as if it belongs to its site, emerging from the ground with a sense of inevitability, shaped by time and silence. They carry the presence of something ancient while remaining open to the present.

The works function as spaces of encounter rather than objects. Through measured proportions and restrained forms, they bring together simplicity and complexity, weight and lightness. Their presence is not imposed; it unfolds gradually in relation to the environment.

Executed in marble, granite, or brick, the sculptures evoke a kind of spiritual architecture — elemental structures such as gates, towers, and shelters, reduced to their essential form. They suggest places of passage, pause, and reflection, without prescribing a fixed meaning.

Geometry operates as a foundational language. Absence is not a lack, but an active component that completes the form.

Light plays a defining role. As it moves across surfaces, it reveals subtle shifts in texture and time. The tension between precision and erosion, between the constructed and the natural, reflects a balance between permanence and change.

Situated within open landscapes, the works stand between earth and sky — grounded yet ascending. Though abstract, they retain a human resonance. Familiar archetypes are distilled into quiet forms that speak of memory, belonging, and transition.

These sculptures do not seek to explain. They create conditions for stillness — spaces in which perception slows, and where form approaches what cannot be fully seen.